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Friday, November 10, 2017 8:00pm

Part of The King’s Singers 50th Anniversary Season and Cathedral Concerts 25th Anniversary Season

“Their vocal production was effortless, stylistically varied and beautifully blended, even in the most complex polyphony.” Washington Post (DC, USA)



The King’s Singers were officially born on May 1st 1968, formed by six recently-graduated choral scholars from King’s College, Cambridge. Their vocal line-up was (by chance) two countertenors, a tenor, two baritones and a bass, and the group has never wavered from this formation since.

What really distinguished the group in its early years was its musical diversity. The King’s Singers were a weekly fixture on prime-time television, celebrating popular music never usually touched by choral ensembles, and their unique British charm, combined with their musical craft, captured audiences’ hearts the world over. The group has consistently been welcomed on the world’s great stages throughout its history – from London’s Royal Albert Hall to the Opera House in Sydney or New York’s Carnegie Hall – as well as being ambassadors for musical excellence across the globe. Two Grammy® Awards, an Emmy® Award, and a place in Gramophone magazine’s inaugural Hall of Fame sit among the numerous accolades bestowed upon the group.

This love of diversity has always fuelled The King’s Singers’ commitment to creating new music. A panoply of commissioned works by many of the supreme composers of our times – including Sir John Tavener, Toru Takemitsu, John Rutter, Luciano Berio, Nico Muhly, György Ligeti and Eric Whitacre – sits alongside countless bespoke arrangements in the group’s extensive repertoire. The group is determined to spread the joy of ensemble singing, and leads workshops and residential courses all over the world each season.

The world may have changed a lot in the fifty years since the original King’s Singers came together, but today’s group is still charged by the same lifeblood – one that wants to radiate the joy singing brings every day, and that want to give life to audiences with their virtuosity and vision for an exciting musical future.

Patrick Dunachie Countertenor
Timothy Wayne-Wright Countertenor
Julian Gregory Tenor
Christopher Bruerton Baritone
Christopher Gabbitas Baritone
Jonathan Howard Bass



Shir hamma’alot le David – Salamone Hebreo Rossi (c. 1570 – 1630)
Surge, propera amica mea – Giovanni Pierluigi da Palestrina (c. 1525 – 1594)
Nigra sum, sed formosa – Giovanni Pierluigi da Palestrina
Sicut lilium inter spinas – Giovanni Pierluigi da PalestrinaLagrimas de mi Consuelo – Juan Vasquez (c. 1500 – c. 1560)

The Prayer of King Henry VI – Dr Henry Ley (1887 – 1962)
In Manus Tuas – Thomas Tallis (c. 1505 – 1585)
Sing joyfully – William Byrd (c.1539 – 1623)

Versa est in luctum – Alonso Lobo (c. 1555 – 1617)

Basiez-moi! – Josquin des Prez (c. 1450 – 1521)
Paisible domaine – Orlandus Lassus (c. 1532 – 1594)
Revecy venir du Printans – Claude le Jeune (c. 1528 – 1600)

El fuego – Mateo Flecha (1481 – 1553)


Musica Dei donum – Orlandus Lassus (c. 1532 – 1594)

Das ist je gewißlich wahr – Heinrich Schütz (1585 – 1672)
Innsbruck, ich muss dich lassen – Heinrich Isaac (c. 1450 – 1517)
Frisch auf, last uns ein gut’s Glas Wein – Hans Leo Hassler (1564 – 1612)

La Guerre – Clément Janequin (c. 1485 – 1558)

Welcomed by


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